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Available From UC Press
The Weimar Republic Sourcebook
A laboratory for competing visions of modernity the Weimar Republic (1918-1933) continues to haunt the imagination of the twentieth century. Its political and cultural lessons retain uncanny relevance for all who seek to understand the tensions and possibilities of our age. The Weimar Republic Sourcebook represents the most comprehensive documentation of Weimar culture history and politics assembled in any language. It invites a wide community of readers to discover the richness and complexity of the turbulent years in Germany before Hitler's rise to power.
Drawing from such primary sources as magazines newspapers manifestoes and official documents (many unknown even to specialists and most never before available in English) this book challenges the traditional boundaries between politics culture and social life. Its thirty chapters explore Germany's complex relationship to democracy ideologies of "reactionary modernism," the rise of the "New Woman," Bauhaus architecture the impact of mass media the literary life the tradition of cabaret and urban entertainment and the situation of Jews intellectuals and workers before and during the emergence of fascism.
While devoting much attention to the Republic's varied artistic and intellectual achievements (the Frankfurt School political theater twelve-tone music cultural criticism photomontage and urban planning) the book is unique for its inclusion of many lesser-known materials on popular culture consumerism body culture drugs criminality and sexuality; it also contains a timetable of major political events an extensive bibliography and capsule biographies. This will be a major resource and reference work for students and scholars in history; art; architecture; literature; social and political thought; and cultural film German and women's studies.
Drawing from such primary sources as magazines newspapers manifestoes and official documents (many unknown even to specialists and most never before available in English) this book challenges the traditional boundaries between politics culture and social life. Its thirty chapters explore Germany's complex relationship to democracy ideologies of "reactionary modernism," the rise of the "New Woman," Bauhaus architecture the impact of mass media the literary life the tradition of cabaret and urban entertainment and the situation of Jews intellectuals and workers before and during the emergence of fascism.
While devoting much attention to the Republic's varied artistic and intellectual achievements (the Frankfurt School political theater twelve-tone music cultural criticism photomontage and urban planning) the book is unique for its inclusion of many lesser-known materials on popular culture consumerism body culture drugs criminality and sexuality; it also contains a timetable of major political events an extensive bibliography and capsule biographies. This will be a major resource and reference work for students and scholars in history; art; architecture; literature; social and political thought; and cultural film German and women's studies.
Anton Kaes is Professor of German and Director of Film Studies at the University of California, Berkeley. He is author most recently of From Hitler to Heimat: The Return of History as Film (1989). Martin Jay is Sidney Hellman Ehrman Professor of History at the University of California, Berkeley. His books include Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought (California, 1993). Edward Dimendberg is Assistant Professor of German Studies, Film and Video Studies, and Architecture at the University of Michigan.
"The Weimar Republic Sourcebook is an invaluable resource for understanding one of the most important and resonant eras of the twentieth century. Since the Weimar debate has continued to repeat itself albeit with less intellectual brilliance this book is as much about the present as about the past. Here is the Weimar era in all its many-voiced and eloquent complexity: most of these texts even those by the most famous names of the period appear for the first time in English. This is an indispensable enthralling properly ambitious book."—Susan Sontag