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Karen Redrobe's latest book Undead: (Inter)(in)animation, Feminisms, and the Art of War (Univ of California Press, 2025) is a fascinating account of the role of animation in the visual cultures of war. It analyzes works by artists including Yael Bartana, Nancy Davenport, Kelly Dolak and Wazhmah Osman, Gesiye, David Hartt, Helen Hill, Onyeka Igwe, Ibrahim Nasrallah, Mary Reid Kelley, and Patrick Kelley, in which relational and intermedial practices of “(inter)(in)animation” generate aesthetic tactics for reframing war.

Like all of Karen's work, Undead is theoretically rich, thoroughly interdisciplinary, and written with clarity as well as urgency. Its mixture of clear-sighted criticality and dogged hopefulness is especially powerful in the times of conflict, cruelty, and destructiveness through which we’re living. In this wide-ranging conversation, Karen speaks with refreshing honesty and vulnerability about how to reimagine scholarly research and writing in line with anti-war feminist politics, what it means to confront the complicity of the university—and of university workers—in cultures of war, and why scholars should embrace being wrong and taking risks.

Undead was published in April 2025 by the University of California Press. A free ebook version is available through Luminos.

Through deep attention to sense and feeling, Go with God grapples with the centrality of Evangelical faith in Rio de Janeiro's subúrbios, the city's expansive and sprawling peripheral communities. Based on sensory ethnographic fieldwork and attuned to religious desire and manipulation, this book shows how Evangelical belief has changed the way people understand their lives in relation to Brazil's history of violent racial differentiation and inequality. From expressions of otherworldly hope to political exhaustion, Go with God depicts Evangelical life as it is lived and explores where people turn to find grace, possibility, and a future.

Mentioned in this episode:

• Denyer Willis, Laurie. 2018. “‘It smells like a thousand angels marching’: The Salvific Sensorium in Rio de Janeiro’s Western Subúrbios.” Cultural Anthropology 33, no. 2: 324–348.

Laurie Denyer Willis is Senior Lecturer in Social Anthropology at the University of Edinburgh.

Liliana Gil is Assistant Professor of Comparative Studies (STS) at The Ohio State University.

Eric Blanc is an assistant professor of labor studies at Rutgers University, researching new workplace organizing, strikes, digital labor activism, and working-class politics. He is the author of Red State Revolt: The Teachers’ Strike Wave and Working-Class Politics (Verso 2019) and his writings have appeared in journals such as Politics & Society, New Labor Forum, and Labor Studies Journal as well as publications such as The Nation, The Guardian, and Jacobin.

A longtime labor activist, Blanc is an organizer trainer in the Emergency Workplace Organizing Committee, which he helped co-found in March 2020. He directs The Worker to Worker Collaborative, a center to help unions and rank-and-file groups scale up their efforts by expanding their members’ involvement and leadership.

For more information about organizing your workplace and the Emergency Workplace Organizing Committee you can click here: https://workerorganizing.org/

You can read more by Eric Blanc at https://www.laborpolitics.com/

Everyone speaks with an accent, but what is an accent? Thinking with an Accent: Toward a New Object, Method, and Practice (UC Press, 2023) introduces accent as a powerfully coded yet underexplored mode of perception that includes looking, listening, acting, reading, and thinking. This volume convenes scholars of media, literature, education, law, language, and sound to theorize accent as an object of inquiry, an interdisciplinary method, and an embodied practice. Accent does more than just denote identity: from algorithmic bias and corporate pedagogy to migratory poetics and the politics of comparison, accent mediates global economies of discrimination and desire. Accents happen between bodies and media. They negotiate power and invite attunement. These essays invite the reader to think with an accent—to practice a dialogical and multimodal inquiry that can yield transformative modalities of knowledge, action, and care.

Thinking with an Accent won the American Comparative Literature Association’s 2024 Rene Wellek Prize for Best Edited Collection.

Editors: Pooja Rangan, Ragini Tharoor Srinivasan, Akshya Saxena, and Pavitra Sundar