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The early rabbinic period produced two major literary formations—the Mishnah and Midrash—which have since remained central pillars of Jewish textual tradition. How to Read the Mishnah and Midrash: An Introduction to Early Rabbinic Literature (U California Press, 2026) is the first comprehensive introduction to these two foundational works of Jewish thought in English.

In many ways, all subsequent rabbinic literature emerged from the framework established by these two genres. The Mishnah presented a comprehensive legal system independent of the Bible, encompassing a remarkably broad spectrum of legal topics—from ritual law to civil disputes, capital legislation, marital status, and beyond—woven into a coherent and autonomous legal corpus. The Midrash is the first comprehensive running commentary of the Pentateuch, marked by its interpretive freedom and creative playfulness.

This hands-on companion provides an intimate understanding of how the two texts function and essential tools for engaging with them in depth. With translations, close readings, and analyses of hundreds of primary source materials, this book offers readers a deeper appreciation of the structure, methodology, and enduring impact of the Mishnah and Midrash.

New Books in Late Antiquity is presented by Ancient Jew Review

Ishay Rosen-Zvi teaches rabbinic literature at the Department of Jewish philosophy and Talmud at Tal-Aviv University. His previous books include: Goy: Israel’s Multiple Others and the Birth of the Gentile, written with Adi Ophir; The Mishnaic Sotah Ritual; and Demonic Desires: “Yetzer Hara and the Problem of Evil in Late Antiquity.”

Michael Motia teaches Classics and Religious Studies at UMass Boston

This probing account shines a new light on the problem of anti-Asian violence and inspires us to build lasting solidarity.

During the COVID-19 pandemic, racist demagoguery fomented a campaign of terror against Asian Americans. But these attacks were part of a much longer pattern that made anti-Asian racism integral to the outbreak of white supremacist, misogynist, and colonial violence across 175 years of U.S. history. Written in the radical spirit of Howard Zinn, American Peril: The Violent History of Anti-Asian Racism (U California Press, 2026) represents the culmination of thirty-five years of study and activism by award-winning scholar Scott Kurashige.

From the lynching of Asian immigrants during the exclusion era to the ongoing slaughter of Asian civilians by the U.S. military, the book connects domestic and global events that have been erased from the official record. Going beyond victimhood, Kurashige traces the rise of Asian American community protest and activism in response to the 1982 murder of Vincent Chin and other overlooked tragedies. While many have worked to legislate and prosecute hate crimes, Kurashige argues that hope lies in grassroots activism for multiracial solidarity.

Andrea Horbinski's Manga's First Century: How Creators and Fans Made Japanese Comics, 1905-1989 (U California Press, 2025) centers the fans and creators who built Japanese comics into a massive global phenomenon. The book traces the history of manga from the art form's distinctly modern emergence in the early 1900s, one that first hybridized the artistic legacy of Japan with the world of Western political satire but very quickly expanded its scope. By the 1920s and 1930s, manga was already beginning to show some of the breadth of genre and style that has become a trademark of Japanese comics and their byproducts today. In the postwar, manga's embrace of new audiences and stylistic conventions, and the embrace of these new forms by audiences of amateur consumer-creators especially since the mid-1970s, led to an explosion in popularity that has made manga a global phenomenon.

Since the 1990s, a largely underground upwelling of trans creativity has helped new trans identities, communities, and political movements come together. In Trans Cinema: Making Communities, Identities, and Worlds (University of California Press, 2026), Dr. Laura Horak provides an entryway to the wildly diverse and creative cinema made by trans creators, including those who are Black, Indigenous, and people of color. Overlooked until now, this rich collection of media ranges in genre from romantic comedies to horror films and asks essential questions about how to be human and how to craft a livable life in a world on fire.

Okay.Using the fundamentals of film studies, Horak reveals the innovative approaches taken by trans and gender-nonconforming artists to explore how we relate to other people, what it's like to have a body, and how we survive in an oppressive society. These filmmakers tackle the challenging paradox of representing trans lives when greater visibility is associated with ever-increasing levels of harm. In the process, they produce art that emphasizes trans survival and resilience and imagines a more expansive world for trans communities.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.