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In an era dominated by visual information, what can the sounds of a pandemic reveal about crisis and care? How might attuning to sonic atmospheres uncover new dimensions to states of emergency and their implications for collective life? In Sonic Socialism: Crisis and Care in Pandemic Hanoi (U California Press, 2025), Christina Schwenkel examines the use of sound in COVID-19 response efforts in urban Vietnam. Based on “soundwork” conducted in Hanoi in 2020 during the pandemic’s first year, she shows how acoustic technologies played a pivotal yet overlooked role in state efforts to achieve record-low infection rates worldwide. Across lived experiences of quarantine, lockdown, and spatial distancing, Schwenkel explores sound-based interventions to curb virus transmission, and the public’s response to these auditory measures. From instant messaging alerts to public health videos and neighborhood loudspeakers, sonic governance sought to transform urban sounds and listening practices to mobilize action, drawing people into networks of care and control. As anthropology stands at a crossroads, Sonic Socialism makes the compelling case for the value of sensory autoethnography in reimagining a more careful and caring ethnographic practice in a post-pandemic world.

Christina Schwenkel is Professor of Anthropology and Southeast Asian Studies at the University of California, Riverside. She currently serves on the Editorial Committee of University of California Press and is Vice Chair of the AAS Publications Editorial Board. Her research examines the material legacies of infrastructural warfare in urban Vietnam and the Cold War circulations of people, objects, design technologies, and architectural practices among socialist-allied countries in its wake. She is the author of The American War in Contemporary Vietnam: Transnational Remembrance and Representation (Indiana UP, 2009) and the award-winning Building Socialism: The Afterlife of East German Architecture in Urban Vietnam (Duke UP, 2020), which together explore the material practices through which people remember and rebuild in the aftermath of empire. Her most recent book, a sensory autoethnography entitled Sonic Socialism: Crisis and Care in Pandemic Hanoi (UC Press, 2025), extends her work on urban disaster and decay to encompass media infrastructures and the anthropology of sound. Sonic Socialism is available in open-access format via Luminos. She can be reached via her personal website: https://christinaschwenkel.com.

Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard University. Her research focuses on modern Vietnamese literature, socialist realism, and literary translation across French, Vietnamese, Chinese, and English. She can be reached at cpham@g.harvard.edu.

Food Chemistry in Small Bites takes readers on an up-close scientific journey through the transformation of food when meals are prepared. Organized in bite-size, digestible units, this innovative text introduces students to food's molecular makeup as well as the perception of food by the five senses. Using familiar foods as examples, it explores what happens to ingredients when heated, cooled, or treated and also considers what happens when materials that don't naturally mix are forced to do so.

With informative, full-color renderings and a hands-on lab section, the book encourages students to think like scientists while preparing delicious dishes. Readers will formulate hypotheses as to why certain foods taste hot despite being at room temperature, why milk separates into curds and whey when lemon is added, and other ordinary but chemically complex phenomena. This book also importantly challenges readers to think critically about the future of food in the face of a warming planet.

Patricia B. O'Hara is the Amanda and Lisa Cross Professor of Chemistry, Biochemistry, and Biophysics at Amherst College, coauthor of The Chemical Story of Olive Oil, and author of numerous scholarly research publications.

Melek Firat Altay is a trained musician and neurobiologist, currently a postdoctoral scholar at Stanford University.

What does it mean for a small state to imagine itself as a model for the developing world? And how were these visions of agrarian development received on the ground?

In The Global Vanguard: Agrarian Development and the Making of Modern Taiwan (U California Press, 2025), James Lin examines these questions through the example of Taiwan. In the first half of the twentieth century, Taiwan transformed from an agricultural colony into an economic power, and it then attempted to export its agrarian success — the “Taiwan model” — to rural communities across Africa and Southeast Asia. The book looks at how these development missions portrayed Taiwan, both at home and abroad, and shows how agriculture, domestic politics, and development politics were deeply intertwined.

Rather than treating Taiwan’s postwar development as a self-contained success story, Lin reframes it as a global project shaped by Cold War geopolitics and international development regimes. As the book shows, the “Taiwan model” was actively constructed and promoted through overseas missions, beginning with early efforts such as the 1959 agricultural mission to South Vietnam and expanding through large-scale initiatives like “Operation Vanguard” in Africa. In these encounters, Taiwanese experts worked directly with rural communities, and the model itself was reshaped in local contexts. At the same time, these missions were deeply significant domestically, serving as a way for the Taiwanese state to project national strength and legitimacy in the context of diplomatic isolation.

Drawing on extensive archival research and oral histories, Lin places Taiwan at the center of global development history and offers a new way of thinking about how models of modernization travel, as well as how “development” itself came to be understood as a technical and scientific enterprise. As such, this book will appeal to readers interested in Taiwan studies, global history, and development studies.

A free ebook version of this title is also available through Luminos, the University of California Press’s Open Access publishing program.

Land Cinema in an Age of Extraction considers nonfiction filmmakers and film collectives whose work advances an understanding of land as a locus of social and environmental responsibility. Diving into little-known archives to explore films that resonate across geographies, Becca Voelcker unearths key examples of eco-political counterculture, from farmer-filmmakers in Japan and Mali to a gardener-filmmaker in Massachusetts, and from filmed landscape-portraits of women in Los Angeles, Orkney, and the Navajo Nation to Indigenous documentaries about land dispossession in Colombia. Proposing "land cinema" as an urgent genre for our time, this book reveals how images and ideas produced half a century ago sowed the seeds for climate justice movements today.

Becca Voelcker is Lecturer in the Department of Art at Goldsmiths, University of London. She was named a BBC New Generation Thinker in 2024.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

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