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Rolling Stone's first decade was truly rock and roll: chaotic, wild, and unpredictable. Brand New Beat: The Wild Rise of Rolling Stone Magazine (U California Press, 2026) by Peter Richardson charts the origins and evolution of the magazine during its formative early years in San Francisco. Founded in 1967 by a 21-year-old college dropout, Rolling Stone and its editors were steeped in the Bay Area's counterculture and viewed rock and roll as the animating spirit of a social revolution. Reaching beyond music, the magazine delved into the tempestuous culture and politics of the time.
Acclaimed author Peter Richardson takes readers inside the iconic magazine during an era of legendary events, major cultural figures, and unforgettable music. Showing how Rolling Stone became a journalistic juggernaut—nurturing music-focused writers like Cameron Crowe, Lester Bangs, and Greil Marcus as well as New Journalism giants Hunter S. Thompson and Tom Wolfe—this book reveals how Rolling Stone both exemplified and critiqued the counterculture. Always more than the definitive rock magazine, Rolling Stone leveraged the power of popular music to deliver groundbreaking coverage of historic events, setting a new standard for the next generation of American journalism.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

The consequences of U.S. border policies through the experiences of Honduran migrants. Hondurans have been at the heart of some of the most visible migration phenomena in the last few years, as well as the direct target of anti-immigrant rhetoric and policy. In Leave If You Can: Migration and Violence in Bordered Worlds (U California Press, 2026) Amelia Frank-Vitale offers a detailed portrait of the Honduran exodus and what it reveals about the broader consequences of changing US border enforcement policies. She highlights the stories of those who are often presented as unsympathetic: deported young men implicitly associated with the very violence they are trying to flee. In the process, she challenges underlying assumptions frequently held by policy makers and humanitarian agencies. Connecting overlapping regimes of mobility control, from the invisible gangland borders within San Pedro Sula to the growing expansiveness of the U.S. border's reach, this book shows how deportation does not deter migration but, in fact, keeps people moving, and how U.S. policies fuel the migration "crisis" they claim to address. Drawing from her own experiences accompanying migrant caravans over many years, Frank-Vitale also explores how caravans emerge as both protest movement and migration tactic in response to this expanding border regime.

In an era dominated by visual information, what can the sounds of a pandemic reveal about crisis and care? How might attuning to sonic atmospheres uncover new dimensions to states of emergency and their implications for collective life? In Sonic Socialism: Crisis and Care in Pandemic Hanoi (U California Press, 2025), Christina Schwenkel examines the use of sound in COVID-19 response efforts in urban Vietnam. Based on “soundwork” conducted in Hanoi in 2020 during the pandemic’s first year, she shows how acoustic technologies played a pivotal yet overlooked role in state efforts to achieve record-low infection rates worldwide. Across lived experiences of quarantine, lockdown, and spatial distancing, Schwenkel explores sound-based interventions to curb virus transmission, and the public’s response to these auditory measures. From instant messaging alerts to public health videos and neighborhood loudspeakers, sonic governance sought to transform urban sounds and listening practices to mobilize action, drawing people into networks of care and control. As anthropology stands at a crossroads, Sonic Socialism makes the compelling case for the value of sensory autoethnography in reimagining a more careful and caring ethnographic practice in a post-pandemic world.

Christina Schwenkel is Professor of Anthropology and Southeast Asian Studies at the University of California, Riverside. She currently serves on the Editorial Committee of University of California Press and is Vice Chair of the AAS Publications Editorial Board. Her research examines the material legacies of infrastructural warfare in urban Vietnam and the Cold War circulations of people, objects, design technologies, and architectural practices among socialist-allied countries in its wake. She is the author of The American War in Contemporary Vietnam: Transnational Remembrance and Representation (Indiana UP, 2009) and the award-winning Building Socialism: The Afterlife of East German Architecture in Urban Vietnam (Duke UP, 2020), which together explore the material practices through which people remember and rebuild in the aftermath of empire. Her most recent book, a sensory autoethnography entitled Sonic Socialism: Crisis and Care in Pandemic Hanoi (UC Press, 2025), extends her work on urban disaster and decay to encompass media infrastructures and the anthropology of sound. Sonic Socialism is available in open-access format via Luminos. She can be reached via her personal website: https://christinaschwenkel.com.

Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard University. Her research focuses on modern Vietnamese literature, socialist realism, and literary translation across French, Vietnamese, Chinese, and English. She can be reached at cpham@g.harvard.edu.

Food Chemistry in Small Bites takes readers on an up-close scientific journey through the transformation of food when meals are prepared. Organized in bite-size, digestible units, this innovative text introduces students to food's molecular makeup as well as the perception of food by the five senses. Using familiar foods as examples, it explores what happens to ingredients when heated, cooled, or treated and also considers what happens when materials that don't naturally mix are forced to do so.

With informative, full-color renderings and a hands-on lab section, the book encourages students to think like scientists while preparing delicious dishes. Readers will formulate hypotheses as to why certain foods taste hot despite being at room temperature, why milk separates into curds and whey when lemon is added, and other ordinary but chemically complex phenomena. This book also importantly challenges readers to think critically about the future of food in the face of a warming planet.

Patricia B. O'Hara is the Amanda and Lisa Cross Professor of Chemistry, Biochemistry, and Biophysics at Amherst College, coauthor of The Chemical Story of Olive Oil, and author of numerous scholarly research publications.

Melek Firat Altay is a trained musician and neurobiologist, currently a postdoctoral scholar at Stanford University.