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Six decades of indie documentary storytelling chronicled in "Kartemquin Films"
For decades, our own Patricia Aufderheide—who founded this organization’s precursor, the Center for Social Media—has chronicled, studied, and impacted the global community of documentary storytellers who seek to speak truth to power and uphold democracy. In her new book, Kartemquin Films: Documentaries on the Frontlines of Democracy (University of California Press), she brings readers into the six-decade history and living story of the longest-running independent documentary production organization in the United States, Kartemquin Films.
Read MoreWhy We Curate Feminist Film Archives: A Q&A with Feminist Media Histories Guest Editors Maggie Hennefeld and Laura Horak
May 13 2024
“What do we, as feminists, need right now—from cinema, from archives, from our communities? How can filmmaking, film festivals, and social movements of the past inspire or befuddle us today? And what is at stake in selecting and presenting archival works by women to create new forms of community?”
Read MoreA Look Back at 10 Years of Feminist Media Histories
Mar 14 2024
In celebration of Women's History Month, we've removed the paywall from the guest editors’ introductions from the past nine Spring issues of Feminist Media Histories (FMH). As we anticipate the journal's tenth anniversary issue (forthcoming in April 2024), we invite you to read this selection of con
Read MoreHow Online Black Resistance Efforts Outlive Political Clickbait
Mar 13 2024
By Raven Simone Maragh-Lloyd, author of Black Networked Resistance: Strategic Rearticulations in the Digital AgeFor my sanity, I’ve mostly avoided politics this 2024 season. Yet somehow, I found myself glued to the television for the recent State of the Union address — the “superbowl” for politi
Read MoreMoving in Silence and the Business of Being “Anti-Social Media”
Mar 13 2024
By Francesca Sobande, author of Big Brands Are Watching You: Marketing Social Justice and Digital CultureLife can be loud. Many expressions point to different perceptions of online noise and the sounds of social media spaces, but a particularly popular concept that captures this is “moving in si
Read MoreThe Unexpected Success of the Eclectic New Line Cinema
Mar 12 2024
By Daniel Herbert, author of Maverick Movies: New Line Cinema and the Transformation of American FilmMost members of the public probably don’t know anything about New Line Cinema, the movie studio and subject of my recent book Maverick Movies: New Line Cinema and the Transformation of American F
Read MoreMaking Television Feminist
Mar 12 2024
By Jennifer S. Clark, author of Producing Feminism: Television Work in the Age of Women's LiberationWhen I started writing a book about the women’s movement and television, I imagined that it would explore how feminism changed what Americans saw on their TV screens. But as the project developed,
Read MoreQ&A with Kathleen Loock, author of Hollywood Remaking
Mar 11 2024
From the inception of cinema to today’s franchise era, remaking has always been a motor of ongoing film production. Hollywood Remaking challenges the categorical dismissal in film criticism of remakes, sequels, and franchises by probing what these formats really do when they revisit familiar stories
Read MoreA Tribute to David Bordwell and Cari Beauchamp
Mar 08 2024
With the recent loss of UC Press authors David Bordwell and Cari Beauchamp, our Film & Media Studies Editor Raina Polivka shares a reflection on their contributions and legacy in the film community.I am saddened to write that we've recently lost two major pillars of the film community: David
Read MoreMeet Film Quarterly‘s Incoming Editor: J. M. Tyree
Mar 08 2024
Photo Credit: Jason Brown, VCUarts Cinema StudentWe are pleased to introduce J. M. Tyree as Film Quarterly's incoming editor-in-chief. Tyree works as an Associate Professor in the Cinema Program at VCUarts, and has served as a Writer-at-Large and Contributing Editor at Film Quarterly, and as a N
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