We’re thrilled to announce our new California Studies in Global Musicology series, led by series editors Joy H. Calico and Daniel K. L. Chua! In this interview, Calico and Chua introduce the series, describe the types of projects they’re looking for, and provide advice for scholars hoping to submit to the series.
Somewhere between the virtuosic parodies of Frank Zappa and the screwball wit of Monty Python, the Firesign Theatre reinvented the comedy album in the 1960s and ’70s. Jeremy Braddock explores their legacy.