By Daniel Herbert, author of Maverick Movies: New Line Cinema and the Transformation of American FilmMost members of the public probably don’t know anything about New Line Cinema, the movie studio and subject of my recent book Maverick Movies: New Line Cinema and the Transformation of American F
From the inception of cinema to today’s franchise era, remaking has always been a motor of ongoing film production. Hollywood Remaking challenges the categorical dismissal in film criticism of remakes, sequels, and franchises by probing what these formats really do when they revisit familiar stories
By 1967, the commercial and political impact on Hollywood of the sixties counterculture had become impossible to ignore. The studios were in bad shape, still contending with a generation-long box office slump and struggling to get young people into the habit of going to the movies. Film historian J
Noah Tsika is Associate Professor of Media Studies at Queens College, City University of New York. He is contributing editor of Africa Is a Country and the author of several books, including Traumatic Imprints and Nollywood Stars. He is also a first-generation scholar.Cinematic Independence traces t
We’re proud to announce that Brian Jacobson, editor of In the Studio: Visual Creation and Its Material Environments has won the 2021 Society for Cinema and Media Studies Best Edited Collection Award!We reached out to Jacobson as part of our #SCMS2021 virtual conference series to discuss his awar