We’re thrilled to announce our new California Studies in Global Musicology series, led by series editors Joy H. Calico and Daniel K. L. Chua! In this interview, Calico and Chua introduce the series, describe the types of projects they’re looking for, and provide advice for scholars hoping to submit to the series.
In celebration of the 150th anniversary of Charles Ives's birth, we have temporarily removed the paywall from a selection of articles about the composer.
The story of Ludwig van Beethoven’s confronting his growing deafness as he continued to compose and conduct has always provided special inspiration for me that transcends his music. Whenever I listen to his compositions, I hear more than notes exquisitely written and performed. I hear the voice of a fellow human being who is overcoming trauma, adversity and fear through his art, whispering to me not to despair, but like him, to make the most of what I have while I can in my own way.
Blacksound explores the sonic history of blackface minstrelsy (the first original form of American popular music) and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept o
A conversation with Morgan Bimm, Kate Galloway, and Amy Skjerseth, Guest Editors of the Journal of Popular Music Studies Special Issue “Recast, Podcast, Broadcast: Podcasting Popular Music”Morgan BimmKate Galloway Amy SkjersethJPMS's current issue is devoted to a discussion of podc
By James Walvin, author of Amazing Grace: A Cultural History of the Beloved HymnIt may seem odd for a historian of slavery to write a history of a popular hymn. In fact, the link between “Amazing Grace” and slavery is clear and fairly obvious: the author of “Amazing Grace,” John Newton, had bee
By Táhirih Motazedian, author of Key Constellations: Interpreting Tonality in FilmMy path to music theory and film music was a circuitous one: in college I originally started out as a music performance major, then (due to a hand injury) I entered the world of planetary science, and after several
By Amy Coddington, author of How Hip Hop Became Hit Pop: Radio, Rap, and RaceAs hip hop turns 50, many mainstream outlets have highlighted how it has utterly transformed U.S. popular culture. And they’re right: look around, and it’s hard to see or hear something that hasn’t been influenced by th