About the Book
In A Century of Dutch Manuscript Illumination, L.M.J. Delaissé takes readers on a detailed journey through the unique characteristics and historical significance of Dutch illumination during the late Middle Ages. Unlike the luxury manuscripts produced for the royal courts of France and the dukes of Burgundy, Dutch manuscripts developed their own artistic identity, marked by an understated aesthetic and deeply spiritual undertones. Delaissé emphasizes that while foreign influences from Cologne and France shaped this artistic tradition, Dutch illumination maintained an originality that reflected the cultural and spiritual movements of the region, particularly in the fifteenth century. Despite not being as lavish as their European counterparts, these manuscripts are rich in creativity and spiritual significance, offering a distinct contrast to the grander, more opulent styles of southern neighbors.
The book goes beyond a surface-level appreciation of Dutch miniatures, advocating for a more comprehensive study of these works within the broader context of bookmaking. Delaissé argues that a new scholarly approach is needed to explore the interrelations between the format, handwriting, and decorative elements of these manuscripts, which are intricately linked to their illuminations. With gratitude to the many collectors, institutions, and scholars who contributed to this volume, Delaissé offers an insightful exploration of Dutch manuscript illumination, urging the academic community to recognize and appreciate its quiet but profound contributions to the art of medieval Europe.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.
The book goes beyond a surface-level appreciation of Dutch miniatures, advocating for a more comprehensive study of these works within the broader context of bookmaking. Delaissé argues that a new scholarly approach is needed to explore the interrelations between the format, handwriting, and decorative elements of these manuscripts, which are intricately linked to their illuminations. With gratitude to the many collectors, institutions, and scholars who contributed to this volume, Delaissé offers an insightful exploration of Dutch manuscript illumination, urging the academic community to recognize and appreciate its quiet but profound contributions to the art of medieval Europe.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.