Skip to main content
University of California Press

Eurasian

Mixed Identities in the United States, China, and Hong Kong, 1842–1943

by Emma Jinhua Teng (Author)
Price: $29.95 / £25.00
Publication Date: Jul 2013
Edition: 1st Edition
Title Details:
Rights: World
Pages: 352
ISBN: 9780520276277
Trim Size: 6 x 9
Illustrations: 21 b/w photographs
Endowments:
Request an Exam or Desk Copy(opens in new window)RightsLink(opens in new window)

Read an Excerpt

1

A Canton Mandarin Weds a Connecticut Yankee: Chinese-Western Intermarriage Becomes a "Problem"

 

Prologue

The Rev. Brown Takes Elizabeth Bartlett aboard the Morrison

 

The Rev. Samuel Robbins Brown (1810-1880) was in a hurry to set sail. Seven days after his marriage to Elizabeth Goodwin Bartlett, the Yale graduate and newly ordained missionary took his bride aboard the Morrison, ready to voyage halfway across the globe. The Rev. Brown was to take up a calling at the Morrison School in China, and the newlyweds had been sent off with fanfare from their hometown of East Windsor, Connecticut. They were set to sail with free passage on the Morrison, for the ship belonged to the Olyphant brothers, prominent figures in the tea trade and leading backers of the Morrison Educational Society.

It was October 17, 1838 when the Browns sailed from New York, and with favorable winds and Providence on their side they rounded the Cape of Good Hope and reached Macau on February 18, 1839. Brown had to smuggle his wife secretly into the country, for foreign women were banned from landing in China.1 Once settled in Macau, Brown was placed in charge of the Morrison Memorial School, named in honor of the Rev. Robert Morrison (1782-1834), the first Protestant missionary to China. Brown viewed his mission as the training of Chinese Christians who would be enlightened through Western education but ultimately "return to their own people" and "still be Chinese."2 The energetic educator was so successful that by 1842 the school removed to larger quarters in Hong Kong. Despite the occasional stonings they had to endure from Chinese villagers, the Browns earned the devotion of their young pupils.3

When Elizabeth's failing health necessitated the family's return to the US in 1846, the Rev. Brown announced he would bring three students with him to further their studies. The first to stand up and volunteer was a Cantonese village boy named Yung Wing. With free passage on the Olyphant merchant ship Huntress, which was destined for New York with a full cargo of tea, he set sail on January 4, 1847.4

 

As a pupil at the Morrison School, Yung Wing (Fig. 1) had once written an English composition on the subject of "An Imaginary Voyage to New York and up the Hudson." At the time, he little dreamed that he would ever have the chance to see New York in person. Yet a mere two years later, in 1847, the imagined voyage became a reality as Yung Wing set sail for the great metropolis. In his memoir, My Life in China and America (1909), Yung pondered: "This incident leads me to the reflection that sometimes our imagination foreshadows what lies uppermost in our minds and brings possibilities within the sphere of realities."5 Such was also true, the aging Yung mused, in the case of another daydream that he had cherished during his student years -- that of one day marrying an American wife. [figref1]

Yung Wing had journeyed far from his humble roots by the time that he married Mary Louisa Kellogg (1851-1886), the daughter of a prominent New England family, in a quiet ceremony on February 24, 1875.6 As the New York Times reported:

Yung Wing Marries a Connecticut Lady

Mr. Yung Wing, of Canton, China, chief of the Chinese Educational Commission now at Hartford, was married on Wednesday to Miss Mary L. Kellogg, at the residence of her father, [Bela Crocker] Kellogg, in Avon, the ceremony being performed by Rev. J. H. Twichell, of the Asylum Hill Congregational Church in Hartford, a very particular friend of the bridegroom....The bride wore a dress of white crape [sic], imported expressly for this occasion from China, and elaborately trimmed with floss silk embroidery....After the ceremony, a collation was served, in which Chinese delicacies were mingled with more substantial dishes of American-style.

About the Book

In the second half of the nineteenth century, global labor migration, trade, and overseas study brought China and the United States into close contact, leading to new cross-cultural encounters that brought mixed-race families into being. Yet the stories of these families remain largely unknown. How did interracial families negotiate their identities within these societies when mixed-race marriage was taboo and “Eurasian” often a derisive term?

In Eurasian, Emma Jinhua Teng compares Chinese-Western mixed-race families in the United States, China, and Hong Kong, examining both the range of ideas that shaped the formation of Eurasian identities in these diverse contexts and the claims set forth by individual Eurasians concerning their own identities. Teng argues that Eurasians were not universally marginalized during this era, as is often asserted. Rather, Eurasians often found themselves facing contradictions between exclusionary and inclusive ideologies of race and nationality, and between overt racism and more subtle forms of prejudice that were counterbalanced by partial acceptance and privilege.

By tracing the stories of mixed and transnational families during an earlier era of globalization, Eurasian also demonstrates to students, faculty, scholars, and researchers how changes in interracial ideology have allowed the descendants of some of these families to reclaim their dual heritage with pride.
 

About the Author

Emma Jinhua Teng is a MacVicar Faculty Fellow and the T.T. and Wei Fong Chao Professor of Asian Civilizations and Associate Professor of Chinese Studies at MIT and the author of Taiwan's Imagined Geography: Chinese Colonial Travel Writing and Pictures, 1683-1895 (Harvard, 2004).

Table of Contents

List of Illustrations

A Note on Romanization

Acknowledgments

Prelude

Introduction


Part One

1. A Canton Mandarin Weds a Connecticut Yankee: Chinese-Western Intermarriage Becomes a "Problem"

2. Mae Watkins Becomes a "Real Chinese Wife": Marital Expatriation, Migration, and Transracial Hybridity


Part Two

3. "A Problem for Which There Is No Solution": The New Hybrid Brood and the Specter of Degeneration in New York's Chinatown

4. "Productive of Good to Both Sides": The Eurasian as Solution in Chinese Utopian Visions of Racial Harmony

5. Reversing the Sociological Lens: Putting Sino-American “Mixed Bloods” on the Miscegenation Map


Part Three

6. The "Peculiar Cast": Navigating the American Color Line in the Era of Chinese Exclusion

7. On Not Looking Chinese: Chineseness as Consent or Descent?

8. "No Gulf between a Chan and a Smith amongst Us": Charles Graham Anderson's Manifesto for Eurasian Unity in Interwar Hong Kong


Coda: Elsie Jane Comes Home to Rest

Epilogue

Chinese Character Glossary

Notes

Bibliography

Index

Reviews

"A highly persuasive and insightful accounting of Eurasian lives and possibilities."
Pacific Affairs
“Beautifully written and thoughtfully crafted, Teng’s Eurasian is a pleasure to read. The author has written a nuanced, multisited account of mixed families and Eurasian identities that will be important reading for students in U.S. and Chinese history and in Asian, Asian American, and Ethnic Studies. The author tells these wonderful life stories and adeptly uses them to track larger historical processes and phenomena.” —Kornel Chang, author of Pacific Connections: The Making of the U.S.-Canadian Borderlands

"By examining Eurasian identities from Chinese and American perspectives, Emma Teng offers a truly transnational and multicultural intellectual project that few works which appear to be such can actually claim, for she uses with facility and depth materials in English and Chinese, and goes beyond the obvious duality of American/British on the one hand, and Chinese on the other, to introduce a third element, that of the Asian American, examining not just the distinct viewpoints separately, but, more interestingly, the intersections between and among them." —Evelyn Hu-DeHart, editor of Across the Pacific: Asian Americans and Globalization

"Emma Teng’s rich and compelling narrative captures within one elegant volume a profoundly complex story about diaspora, citizenship, empire, nation, taxonomy, identity, capital, race, labor, class, gender, intimacy, and the body, all the while avoiding the twin pitfalls of transnational abstraction and dislocated particulars that threaten any work of such scope and ambition. It is an analysis of the highest quality, delivering an argument that is empathetic, but which not for a moment relaxes either the critical tension between the author and her subject, nor attempts to resolve in any simplistic fashion the tensions and anxieties of her characters or the time period in question. In this work, Teng is at once master instrument maker, and master musician." —Thomas S. Mullaney, author of Coming to Terms with the Nation: Ethnic Classification in Modern China