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University of California Press

Imperial Benevolence

U.S. Foreign Policy and American Popular Culture since 9/11

by Scott Laderman (Editor), Tim Gruenewald (Editor)
Price: $29.95 / £25.00
Publication Date: Aug 2018
Edition: 1st Edition
Title Details:
Rights: World
Pages: 288
ISBN: 9780520971028
Trim Size: 6 x 9
Illustrations: 17 bw figures, 1 chart, 1 tabl
Endowments:

About the Book

This is a necessary and urgent read for anyone concerned about the United States' endless wars. Investigating multiple genres of popular culture alongside contemporary U.S. foreign policy and political economy, Imperial Benevolence shows that American popular culture continuously suppresses awareness of U.S. imperialism while assuming American exceptionalism and innocence. This is despite the fact that it is rarely a product of the state. Expertly coordinated essays by prominent historians and media scholars address the ways that movies and television series such as Zero Dark Thirty, The Avengers, and even The Walking Dead, as well as video games such as Call of Duty: Black Ops, have largely presented the United States as a global force for good. Popular culture, with few exceptions, has depicted the U.S. as a reluctant hegemon fiercely defending human rights and protecting or expanding democracy from the barbarians determined to destroy it.
 

About the Author

Scott Laderman is Professor of History at the University of Minnesota, Duluth. 

Tim Gruenewald is Assistant Professor and Program Director of American Studies at the University of Hong Kong.

Table of Contents

Dedication
Acknowledgments
A Brief Note on Terminology

Introduction • Camouflaging Empire: Imperial Benevolence in American Popular Culture
Scott Laderman
1 • Imperial Cry Faces: Women Lamenting the War on Terror
Rebecca A. Adelman
2 • “Prowarrior, But Not Necessarily Prowar”: American Sniper, Sheep, and Sheepdogs
Edwin A. Martini
3 • “The First Step toward Curing the Postwar Blues Is a Return to Nature”: Veterans’ Outdoor Rehabilitation Programs and the Normalization of Empire
David Kieran
4 • Exceptional Soldiers: Imagining the Privatized Military on U.S. Television
Stacy Takacs
5 • Obama’s “Just War”: Th e American Hero and Just Violence in Popular Television Series
Min Kyung (Mia) Yoo
6 • Superhero Films after 9/11: Mitigating “Collateral Damage” in the Marvel Cinematic Universe
Tim Gruenewald
7 • Humanity’s Greatest Hope: The American Ideal in Marvel’s The Avengers
Ross Griffin
8 • The Perfect Cold War Movie for Today? Smoke and Mirrors in Steven Spielberg’s Vision of the Cold War
Tony Shaw
9 • Disfiguring the Americas: Representing Drugs, Violence, and Immigration in the Age of Trump
Patrick William Kelly
10 • Black Ops Diplomacy and the Foreign Policy of Popular Culture
Penny M. Von Eschen

About the Contributors
Index

Reviews

"The essayists make a convincing argument for commercially successful popular culture productions contributing to the soft power of U.S. imperialism by underscoring the message that the United States is a benevolent power in its fight for freedom and by eliding naked self-interest."
Journal of American History
"These are nuanced, detailed accounts of the complex work of popular media, written by some of the finest scholars of U.S. imperial culture. The fundamental argument here—that U.S. culture has imagined America as a reluctant and moral hegemon—is compelling and more important than ever. There are excellent studies of gender, with analysis of everything from female tears in films about the war on terror to masculine toughness in video games. The accounts of violent images go far beyond the expected, looking at narratives that embrace violence-as-healing as well as those that promise healing-from-violence-done. This book should be widely read, and taught—in classes on U.S. cultural history, the United States in the world, imperialism and culture, as well as classes on race, gender, and media. A truly outstanding collection."—Melani McAlister, Professor of American Studies and International Affairs, George Washington University
 
"This is an exceptionally valuable and truly terrifying anthology. As a model of American Studies scholarship, its tapestry—woven of multiple genres of popular culture, contemporary U.S. foreign policy, political figures, and economic forces—reveals how profoundly and thoroughly the ethos of empire has come to shape the life and thought of twenty-first-century America."—H. Bruce Franklin, author of Crash Course: From the Good War to the Forever War
 
"Imperial Benevolence is a smart and compelling set of essays on how post-9/11 popular culture has enabled a disavowal of U.S. empire. These authors demonstrate with sharp insight that, when U.S. foreign policy has been at its most globally unpopular, popular culture has sold American audiences on narratives of benevolence and innocence that recast the devastating effects of U.S. imperial aggression in Iraq and Afghanistan, and on U.S. veterans, into fantasies of sniper heroes, just wars, first person shooter invulnerability, and super hero saviors."—Marita Sturken, author of Tourists of History: Memory, Kitsch, and Consumerism from Oklahoma City to Ground Zero