L.A. Rebellion
About the Author
Jan-Christopher Horak is Director of the UCLA Film & Television Archive. In addition to his long career in film archiving and curating, he is a professor of Cinema and Media Studies at the University of California, Los Angeles. His most recent book is Saul Bass: Anatomy of Film Design.
Jacqueline Najuma Stewart is Professor of Cinema and Media Studies at the University of Chicago and author of Migrating to the Movies: Cinema and Black Urban Modernity. She directs the South Side Home Movie Project and serves on the National Film Preservation Board. She is currently completing a book on the career of the African American actor, writer, and director Spencer Williams.
From Our Blog
Black History Makers & Risk Takers: Filmmakers
Reviews
— Journal of American Ethnic History"L.A. Rebellion is a valuable resource especially for interdisciplinary scholars in film history and ethnic studies. . . . [It] also provides a series of oral histories with some of the filmmakers, as well as a comprehensive filmography. Thankfully, many of the titles are now available for the first time in decades, allowing audiences an opportunity to encounter this exceptional moment in film history for themselves."
— Kraszna-Krausz Book Awards"L.A. Rebellion: Creating a New Black Cinema is a groundbreaking and highly readable compendium focused on the kaleidoscopic network of filmmakers based at UCLA between the 1960s and the 1990s. The collection opens up previously obscured historical pathways that deepen our knowledge of black American cinema, and should inspire further research and scholarship."
"LA Rebellion: Creating a New Black Cinema is an extraordinary, exciting, anthology. The oral histories and other archival materials, the “LA Rebellion Filmography,” and the carefully assembled “LA Rebellion Bibliography” are significant resources. The scholarly essays includedin this volume are among the most exciting work on the LA Rebellion that I have read. Each section on its own is a welcome contribution to our understanding of the history, challenges, and possibilities of Black cinema. That they are included in the same volume makes this book simply indispensable. Indeed, I think it will be a seminal text in Film Studies." —Kara Keeling, Associate Professor of Critical Studies, School of Cinematic Arts, University of Southern California
Awards
- 2016 Best Moving Image Book 2016, Kraszna-Krausz Book Award
- MacArthur Genius Fellowship 2021 2021, MacArthur Foundation
- SCMS Best Edited Collection 2017, Society for Cinema & Media Studies
- SCMS Best Edited Collection 2017, Society for Cinema and Media Studies