"This collection is invaluable. It's Hughes unguarded and off the record, and it's family life on the Left—quietly committed and resilient."—David Levering Lewis, New York University, Pulitzer Prize–winning author of W. E. B. Du Bois: Biography of a Race, 1868–1919, and W. E. B. Du Bois: The Fight for Equality and the American Century, 1919–1963
"Despite its snappy main title, this book is about much more than the celebrated Langston Hughes. The letters published here, mainly from five lively, often embattled friends writing to one another, document the profoundly human but politically courageous spirit of a small group of loving people, all African American, who stood up, with varying degrees of radicalism and at substantial personal risk to themselves, against racism, imperialism, and the excesses of capitalism during the most dangerous decades of the twentieth century. With excellent footnotes and other commentary, their book deserves our deepest respect and admiration."—Arnold Rampersad, Stanford University, author of The Life of Langston Hughes and coeditor of the Selected Letters of Langston Hughes
"Letters from Langston is the rare collection that sets high politics in conversation with everyday life. Robin D. G. Kelley offers a lively foreword that contextualizes mid-century black radical life as an expansive endeavor blending the arts and politics. Evelyn Louise Crawford and MaryLouise Patterson look back on growing up in black Communist families in telling ways that illustrate the possibilities and perils of radical lives. Usually funny, often wise, and always lovable, Langston Hughes leaps off these pages and brings us into his world. A must-read for anyone interested in the twentieth-century Left, the Harlem Renaissance, or how to live fully when life ain't been no crystal stair."—Glenda Elizabeth Gilmore, Yale University, coauthor of These United States: A Nation in the Making, 1890–2015
"Letters from Langston is a great gift to those interested in African American literature and intellectual and political history. Not only does it give us new insights into the continuing radicalism of a major U.S. writer, Langston Hughes, but it also illuminates the careers and contributions of four important black activists and intellectuals, Louise and William Patterson and Matt and Evelyn Crawford. It provides a unique view into the trajectory of black political and cultural radicalism from the Harlem Renaissance to Black Power and Black Art, providing a personal window into the contradictions, continuities, and lived texture of those historical moments."—James Smethurst, Mass Amherst, author of The African American Roots of Modernism: From Reconstruction to the Harlem Renaissance
