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University of California Press

New Export China

Translations across Time and Place in Contemporary Chinese Porcelain Art

by Alex Burchmore (Author)
Price: $50.00 / £42.00
Publication Date: Jun 2023
Edition: 1st Edition
Title Details:
Rights: World
Pages: 280
ISBN: 9780520390010
Trim Size: 7 x 10
Illustrations: 72 color illustrations, 5 b/w illustrations
Endowments:

About the Book

Why do so many contemporary Chinese artists use porcelain in their work? In New Export China, Alex Burchmore presents a deep dive into a unique genre of ceramic art to describe a framework for a broader art practice. Focusing on the work of four artists from the 1990s through the 2010s—Liu Jianhua, Ai Weiwei, Ah Xian, and Sin-ying Ho—Burchmore reveals how the materiality of ceramics has been used to highlight China’s role in global trade and to explore the function of this medium as a vessel for the transmission of Chinese art, culture, and ideas.
 
From its historical pedigree and transcultural relevance to its material allure and anthropomorphic resonance, porcelain offers artists a unique way to move between the global and the intimate, the mass produced and the handmade, and the foreign and the domestic. By dissecting both the legacy of porcelain export and current networks of exchange, Burchmore ultimately demonstrates why this ceramic practice is crucial to understanding the development of Chinese contemporary art.

About the Author

Alex Burchmore is Lecturer in Museum and Heritage Studies at the University of Sydney, Australia.

Table of Contents

Contents

Acknowledgments 

Introduction
1. Porcelain Production 
2. Porcelain Past 
3. Porcelain Renaissance
4. Porcelain Clay
Conclusion: A Porcelain Aesthetic? 

Notes 
Bibliography
List of Illustrations 
Index 

Reviews

"In China, from the past to the present, ceramics is not just a material but a language. Alex Burchmore has insightfully translated this language and its variations, or accents, in contemporary Chinese art."—Jiang Jiehong, author of The Art of Contemporary China 

"Rather than simply extracting meanings from the artworks, Alex Burchmore tells us broader stories of China’s history, culture, and contemporary social life associated with the making of contemporary ceramic art. These are not aesthetic objects alone; rather, this is a conceptually oriented collective production full of the ambiguity between traditional symbolism and contemporary deconstruction."—Gao Minglu, author of Total Modernity and Avant-Garde in Twentieth-Century Chinese Art