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University of California Press

About the Book

Taking Wittgenstein's "Don't think, but look" as his motto, Richard Strier argues against the application of a priori schemes to Renaissance (and all) texts. He argues for the possibility and desirability of rigorously attentive but "pre-theoretical" reading. His approach privileges particularity and attempts to respect the "resistant structures" of texts. He opposes theories, critical and historical, that dictate in advance what texts must—or cannot—say or do.

The first part of the book, "Against Schemes," demonstrates, in discussions of Rosemond Tuve, Stephen Greenblatt, and Stanley Fish among others, how both historicist and purely theoretical approaches can equally produce distortion of particulars. The second part, "Against Received Ideas," shows how a variety of texts (by Shakespeare, Donne, Herbert, and others) have been seen through the lenses of fixed, mainly conservative ideas in ways that have obscured their actual, surprising, and sometimes surprisingly radical content.


Taking Wittgenstein's "Don't think, but look" as his motto, Richard Strier argues against the application of a priori schemes to Renaissance (and all) texts. He argues for the possibility and desirability of rigorously attentive but "pre-theoretical" read

About the Author

Richard Strier is Professor of English at the University of Chicago. He is the author of Love Known: Theology and Experience in George Herbert's Poetry (1983) and the coeditor, with Heather Dubrow, of The Historical Renaissance: New Essays in Tudor and Stuart Literature and Culture (1988).

Reviews

"Resistant Structures manages to be both stunning and sensible. . . .The book is an erudite, sensitive, and theoretically provocative experiment in political criticism, at once radical and rigorous, which will be of lasting value to all students of English Renaissance literature."—Debora Shuger, author of The Renaissance Bible

"These essays have a cumulative and exemplary force, which is due to Strier's knowlege, his intelligence, the clarity of his writing, and the honesty of his procedures."—Paul Alpers, author of Singer of the Eclogues: A Study of Virgilian Pastoral