Runaway Hollywood

"How exactly does an industry with a production wing based in Los Angeles begin to make movies on other continents? To answer this question, Daniel Steinhart has conducted an extraordinary amount of original research drawing on primary sources from European and US archives. Advancing an innovative transcultural argument, he details how Hollywood’s production culture subtly changed as its workers encountered the norms of other industries. The result is a major contribution to our understanding of postwar Hollywood cinema—and it is the definitive study of runaway production."—Patrick Keating, Associate Professor of Communication, Trinity University

"For those who think the idea of runaway film came out of Canada, Steinhart’s Runaway Hollywood shows us how film production has always gravitated to the lowest cost location. To that scenario, he adds archival insights on the cross-cultural dimensions of making US movies abroad."—Vicki Mayer, Professor of Communication, Tulane University

"Steinhart offers an ingenious bottom-up perspective on Hollywood’s overseas filmmaking ventures during the postwar period, demonstrating the myriad ways that practical and aesthetic concerns intertwined with larger questions of economic and cultural influence. By doing so, he makes an essential and welcome contribution to the critical literature on global Hollywood."—Michael Curtin, Duncan and Suzanne Mellichamp Professor of Film and Media Studies, University of California, Santa Barbara