Seeing
About the Author
Table of Contents
1. Our Idea of the Physical World
2. The Basic Anatomy of the Eye
3. How Photoreceptors Sense Light
4. Seeing Things That Aren’t There
5. Not Seeing Things That Are There
6. Brightness Constancy
7. Why the Rate Of Unbleaching Is Important
8. A Little Optics
9. Optometrists, Ophthalmologists, Opticians: What They Do
10. Color Vision
11. Actually Seeing and Not Seeing: Neural Mechanisms
Epilogue
Appendix: Refraction by Waves
Selected Bibliography
Index
Reviews
— Journal of Cinema and Media Studies“By encouraging us to rethink horror and Indian cinemas in ways that affect the study of other kinds of films as well, Seeing Things is poised to make significant conceptual, historical, and methodological contributions to the field.”
— Screen“Nair weaves a unique tale of the materiality of Bombay horror. . . [The] book pulsates with thrilling descriptions of shooting, screening, censoring, losing, finding and restoring the Bombay horror genre, all the while highlighting and celebrating its distortions and failures.”
— Film Quarterly"An embarrassment of riches, where index rubs against index, forming palimpsests ready to be activated and dissected. . . . Seeing Things reveals a broad historical scope that encompasses independent film production, circulation, and regulation at a critical turning point in India’s film history.”
“Cornsweet explains very complex concepts in a manner that is easy to understand. He builds great analogies for the intricate processes of seeing.” —Laura Edelman, Muhlenberg College
