Skip to main content
University of California Press

About the Book

Jerome Rothenberg's seminal anthology moves across temporal and geographical boundaries to expand poetic tradition and ultimately make sense of our shared humanity.

"A core text for poets and musicians looking to explore ritual and meaning beyond the conventions of their genres."—New York Times


Hailed by Robert Creeley as “both a deeply useful book and an unequivocal delight” and by the LA Times Book Review as one of the hundred most recommended American books of the late 20th century, Jerome Rothenberg’s landmark anthology Technicians of the Sacred has educated and inspired generations of poets, artists, musicians, and other readers, exposing them to the multiple possibilities of poetry throughout the world. Juxtaposing “primitive” and archaic works of art from many cultures with each other and with avant-garde and experimental poetry, Jerome Rothenberg contends that literature extends beyond specific temporal and geographic boundaries, while acting as a retort to those who would call that larger humanity into question. A half-century since its original publication, this revised and expanded third edition provides readers with a wealth of newly gathered and translated texts from recently reinvigorated indigenous cultures, bringing the volume into the present and further extending the range and depth of what we recognize and read as poetry.
 

About the Author

Jerome Rothenberg is an internationally acclaimed poet and anthologist. His more than ninety books include the multivolume Poems for the Millennium, coedited with Pierre Joris, Jeffrey Robinson, and John Bloomberg-Rissman. He is Professor Emeritus of Visual Arts and Literature at the University of California, San Diego.

From Our Blog

A Tribute to Jerome Rothenberg

Jerome Rothenberg at UC Press in 2017, seated beside his collections: “Technicians of the Sacred” and “Symposium of the Whole.”Jerome Rothenberg, who passed away on April 21, was a giant in the poetry community and a longtime author, anthologist, and translator for University of California Press
Read More

Table of Contents

THE PRE-FACES

Pre-Face (2017)
Pre-Face (1984)
Pre-Face (1967)

THE TEXTS

Origins & Namings
Visions & Spels
Death & Defeat

The Book of Events (I)

The Book of Events (II)

Africa

America

Asia

Europe & The Ancient Near East

Oceania

Survivals & Revivals

THE STATEMENTS

THE COMMENTARIES

POST-FACE

ACKNOWLEDGMENTS

Reviews

"If there is anyone out there struggling to write lyrics, get your hands on this book; immerse yourselves in it, live inside it for a while, free your mind, and you will emerge brimming with ideas." 
Nick Cave
“No one taught me more about poetry than Jerome Rothenberg. Technicians of the Sacred is the greatest anthology of poetry ever created, ‘primitive’ or otherwise.”—Nick Cave
 
“This book has elucidated indigenous and shamanic sources as deep orature for several generations of readers. More radically timely than ever in a tormented era of xenophobia and racism, this is a spiritual book, a book to survive with.”—Anne Waldman
 
“Jewish lore, Amerindian poetics, Ethnopoetics, Contemporary world poetics, International sacred poetics . . . [Jerome Rothenberg has] certainly done me a favor in collecting specimens in [the] above categories and putting them in all our hands for immediate inspirational or teaching use.”—Allen Ginsberg
 
“When Technicians of the Sacred was published in 1968, it offered nothing less than a redefinition of what poetry could be. It remains an incomparable and inspiring source, a perpetual spur to further invention.”—Geoffrey O'Brien

“For us, [Jerome Rothenberg] played (and plays) the role Picasso and Braque did for the painters, and Leiris and Bataille later for the French poets: opening the sparkling world that comes when you crack open literature and see the primal gestures of oral energy and sudden imagery from which it all surges. Kabbalah, cave painting, Iroquois legend, Navajo chant, Hasidic tales, Central Asian epic, German avant-garde, immigrant histories—he summoned us to attend to the deep literature of which the ‘literary’ is only a sheen. . . . He is a great figure, who stands above and beyond the schools and tendentiousnesses of poetics; he has given us, in his poetry, criticism, translation, anthologies, a body of work that exhibits what I suddenly realize is an ethical purity, a touchstone for the genuine.”—Robert Kelly

Awards

  • JOSEPHINE MILES AWARD 2018 2018, PEN Oakland