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University of California Press

About the Book

This latest work from an author known for her contributions to the new cultural history is a multidisciplinary investigation of the foundations of modern politics. "Family Romance" was coined by Freud to describe the fantasy of being freed from one's family and joining one of higher social standing. Lynn Hunt uses the term broadly to describe the images of the familial order underlying revolutionary politics. In a wide-ranging account using novels, engravings, paintings, speeches, newspaper editorials, pornographic writing, and revolutionary legislation about the family, Hunt shows that politics were experienced through the grid of the family romance.

About the Author

Lynn Hunt is Professor of History at the University of California, Los Angeles. She is the author of several books, including Politics, Culture, and Class in the French Revolution (California, 1984), and the editor of The New Cultural History (California, 1989).

Table of Contents

List of Illustrations
Preface 

l. The Family Model of Politics
2. The Rise and Fall of the Good Father 
3· The Band of Brothers 
4· The Bad Mother 
5· Sade's Family Politics 
6. Rehabilitating the Family 

Epilogue: Patriarchy in the Past Tense? 

Index 
 

Reviews

"Entertaining, original and provocative. . . . [Hunt] is interested in what historians have always thought were the central political issues of the period (power, authority, legitimacy), but she approaches them by ingenious indirection. She is also a scrupulous scholar."
New York Times
"This study will definitely challenge many a complacent historian."
San Francisco Chronicle
"Not just for French specialists, this difficult yet fascinating book should also interest psychohistorians, cultural-intellectual scholars and political scientists. Recognizing that absolutism rested on a model of patriarchal authority, cultural historian Hunt uses Freudian terminology to explore what the killing of the father-king Louis XVI meant to the revolutionaries creating a new political order. Examining contemporary painting, literature, and iconography to see how those meanings are expressed, she uncovers the 'collective unconscious images of the familial order' underlying revolutionary beliefs."
Library Journal