The Stuff of Spectatorship
About the Author
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“The X-Files is Weed”: How Material Culture Shapes Film and Television Cultures
Table of Contents
Acknowledgments
Introduction: Material Mediations
1. Collecting and Recollecting: Battlestar Galactica through Video's Varied Technologies of Memory
2. The Commercial Economy of Film History: Or, Looking for Looking for Mr. Goodbar
3. "Let’s Movie": How TCM Made a Lifestyle of Classic Film
4. Spirits of Cinema: Alcohol Service and the Future of Theatrical Exhibition
5. Blunt Spectatorship: Inebriated Poetics in Contemporary US Television
6. Shot in Black and White: The Racialized Reception of US Cinema Violence
Conclusion: Expanding the Scene of the Screen
Appendix: Documented Incidents of Cinema Violence in the United States through December 31, 2019
Notes
Selected Bibliography
Index
Reviews
— Film Quarterly"This book is an important and cutting-edge contribution. . . . A provocative, entertaining contribution to context and material culture studies, The Stuff of Spectatorship provides an outstanding rationale to investigate stuff."
— CHOICE"These unique analyses leave readers aware that a show's or a film's meaning and interest hinge on a material experience inseparable from the images flashing on the screen."
"Benson-Allott’s approach draws on an array of subfields within film and media studies including media industry studies, spectatorship and reception studies, new cinema history, and material culture studies."— H-Net Review
"The Stuff of Spectatorship is sui generis, its expansive and rigorous case studies focusing on neglected, yet common, material aspects of film/TV spectatorship so as to reveal the reversible modalities and effects of both industrial and phenomenological 'incorporation' and 'consumption.' Original, surprising, and a pleasure to read, this is an extraordinary historical and methodological contribution to film and media studies."—Vivian Sobchack, author of Carnal Thoughts: Embodiment and Moving Image Culture
"Original, bold, and evocative, this book reveals that spectatorship involves a dazzling array of objects—from formats to furniture, from wine to weed. Benson-Allott’s clever exploration of material media cultures opens up new paths of inquiry in cinema and media studies and delivers a riveting read along the way!"—Lisa Parks, author of Rethinking Media Coverage: Vertical Mediation and the War on Terror