"Keith Waldrop is one of the freshest, strongest poets in our language. Transcendental Studies shows how good he really is. Intelligence and lyricism live together in his work, exalted intellect and sly cunning, playfulness and heartbreak, they all dance together, sometimes with postmodern angularity, sometimes with a sort of Horatian civility. I open the book and read and just want to go on. Waldrop's mastery is not just of the local text, but of that great animal, the book."—Robert Kelly, author of The Book from the Sky
"These haunts, thought haunts really, leave their melodies on Keith Waldrop's great poem arrays. A frequent wonder. Tune slowly to taste."—Clark Coolidge, author of The Act of Providence
"Keith Waldrop has concerned himself with the topology of the world of writing more consistently and valuably than any poet I can think of since the late Paul Celan. There is, in Waldrop's work, a steady thought directed to the way that we make our way in the world by thinking and speaking. Where Wallace Stevens gave us the portrait of a man bothered by the march of ants through his shadow, Waldrop gives us the disturbances of the world in its representations."—A. L. Nielsen, Gargoyle
"Along with iridescent things these cycles of eccentrically drifting poems tell of our oceanic and domestic spaces for life and death, it is the phrasing itself that shows Keith Waldrop's artistry. Discrete but dreamlike, the phrasing is every poem's heartbeat. While its leaps and glides take metaphysics home at last, it is the writing, not that of a conjuror but the word as such (as elsewhere in Waldrop's outrageously funny poems), that fascinates. Here is a poet still against the grain and of authentic madcap modernity."—Christopher Middleton, author of Collected Poems
