Voices of Labor
About the Author
Kevin Sanson is a lecturer in the Creative Industries Faculty at Queensland University of Technology and managing editor of Media Industries.
Table of Contents
1. Listening to Labor
by Michael Curtin and Kevin Sanson
Company Town
2. Editors’ Introduction
3. Mara Brock Akil, showrunner
4. Tom Schulman, screenwriter
5. Allison Anders, director
6. Lauren Polizzi, art director
7. Mary Jane Fort, costume designer
8. Anonymous, makeup artist
9. Stephen Lighthill, cinematographer
10. Calvin Starnes, grip
11. Steve Nelson, sound recordist
12. Rob Matsuda, musician
Global Machine
13. Editors’ Introduction
14. Anonymous, studio production executive
15. David Minkowski, service producer
16. Adam Goodman, service producer
17. Stephen Burt, production manager
18. Belle Doyle, location manager
19. Wesley Hagan, location manager
Fringe City
20. Editors’ Introduction
21. Scott Ross, VFX manager
22. Dave Rand, VFX artist
23. Mariana Acuña-Acosta, VFX artist
24. Daniel Lay, VFX artist
25. Steve Kaplan, union official
26. Dusty Kelly, union official
Appendix: Interview Schedule
Reviews
— Synoptique: An Online Journal of Film and Moving Image Studies“In this volume, we find the off-screen workers talking with love and excitement about their craft, the skill taken to accomplish a task, and the precarious condition they now confront in Global Hollywood due to diffusion of labour. …The book stands out for being an exercise in method—how extensive and in-depth field interviews can illuminate certain conceptual interests of screen studies.”
"By listening carefully to their interlocutors, Michael Curtin and Kevin Sanson craft a powerful elegy for organized labor, demonstrating how critical theory is sung to the everyday rhythms of the workplace."—Vicki Mayer, author of Almost Hollywood, Nearly New Orleans: The Lure of the Local Film Economy
"Curtin and Sanson have assembled a star-studded cast of entertainment industry professionals with diverse talents, backgrounds, and perspectives. They tell a varied but consistent tale of the importance of organized labor and the challenges it faces when pitted against the forces of media consolidation and globalization, all set in that magical company town known as Hollywood."—Patric M. Verrone, writer and producer, former president, Writers Guild of America, West