A Party for Lazarus

“A really wonderful book.”—Alma Guillermoprieto, author of Dancing with Cuba: A Memoir of the Revolution

“Todd Ramón Ochoa is a magnificent ethnographer. Monumental long-term research and beautifully anchored writing come together to tell a profound story about the legacy of African devotions in Cuba. Profound and compassionate, this is anthropology at its best.”—Ruth Behar, author of An Island Called Home: Returning to Jewish Cuba and Lucky Broken Girl

“This is a masterpiece—an intensely researched ethnography, a meticulously observed chronicle of the daily mechanics of Cuban life in the humblest of circumstances, and a detailed drill down into the dynamics of spirit possession. Most of all, it’s a ripping good read that unfolds like a movie, although no director could capture all the nuance—or the spirit—that Ochoa gives us.”—Ned Sublette, author of Cuba and Its Music: From the First Drums to the Mambo

“There is an elegance to Ochoa’s style that correlates to the elegance of the orisha. Ochoa does not apologize for Cuban religion (a term he doesn’t use), nor explain away the foibles of his subjects. Things are as they are, and this is Cuba in all its magnificent desperation.”—Donald J. Cosentino, editor of Sacred Arts of Haitian Vodou and In Extremis: Death and Life in 21st-Century Haitian Art

“It will not be long before A Party for Lazarus is recognized as a classic anthropological text that teaches ethnography in an accessible and provocative way. Without compromising its intellectual heft, the book boasts a wonderful sense of dramatic pacing, suspense, and characterization.”—Elizabeth Pérez, author of Religion in the Kitchen: Cooking, Talking, and the Making of Black Atlantic Traditions