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University of California Press

About the Book

Who are "the folk" in folk music? This book traces the musical culture of these elusive figures in Britain and the US during a crucial period of industrialization from 1870 to 1930, and beyond to the contemporary alt-right. Drawing on a broad, interdisciplinary range of scholarship, The Folk examines the political dimensions of a recurrent longing for folk culture and how it was called upon for radical and reactionary ends at the apex of empire. It follows an insistent set of disputes surrounding the practice of collecting, ideas of racial belonging, nationality, the poetics of nostalgia, and the pre-history of European fascism. Deeply researched and beautifully written, Ross Cole provides us with a biography of a people who exist only as a symptom of the modern imagination, and the archaeology of a landscape directing flows of global populism to this day.

About the Author

Ross Cole is a research fellow at the University of Cambridge. His writing on a range of topics appears in leading journals including Ethnomusicology, Popular Music, and ASAP/Journal.

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UC Press Award-Winning Authors

UC Press is proud to publish award-winning authors and books across many disciplines. Below are some of our recent award winners December 2022. Please join us in celebrating these scholars by sharing the news!Daniel Caner 2023 Phillip Schaff Prize The Photography Network American So
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The Conflicted Politics of Folk Music

By Ross Cole, author of The Folk: Music, Modernity, and the Political ImaginationIf you’ve ever watched Werner Herzog’s brilliant but harrowing film Grizzly Man, you might recall the closing song––‘Coyotes’ performed by Don Edwards. It emerges just after Herzog’s parting comment that footage
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Table of Contents

List of Illustrations
Preface

Introduction
Lost Voices

1. Collecting Culture
Science, Technology, & Reification

2. A Geography of the Forgotten
Vernacular Music & Modernity's Discontents

3. Utopian Community 
Nostalgia from Marx to Morris

4. Difference and Belonging
On the Songs of Black Folk

5. Soul through the Soil
Cecil Sharp & the Specter of Fascism

Coda 
Blood Sings: A Soundtrack for the Alt-Right

Notes
Bibliography
Index

Reviews

"With rich measures of eloquence and criticism, passion and witness, Ross Cole asks us to listen again to the songs of the folk, not because they were nostalgically lost to an imagined past, but rather because they still voice the imperative of lived-in worlds, past, present, and future."—Philip V. Bohlman, coauthor of Song Loves the Masses: Herder on Music and Nationalism

"A gracefully written compelling account of the relationship between music and ideological constructions of ‘the folk’ in the UK and the US. A confident and illuminating book."—Sarah Hill, author of San Francisco and the Long 60s

"A nuanced, resourceful, ​and discerning study of the desire known as 'the folk.' Cole delivers a highly engaging itinerary of a concept so fundamental to modernity it points in all directions at once: bard and professor, nostalgia and revolution, soul and soil, left solidarities and the specter of fascism."—Eric Lott, author of Black Mirror: The Cultural Contradictions of American Racism

Awards

  • Bruno Nettl Prize 2022 2022, Society for Ethnomusicology